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Painting is silent poetry, and poetry is painting that speaks. Simonides

Guy Denning







Guy Denning (born 1965) is a self taught English contemporary artist and painter based in France. He is the founder of the Neomodern group, a former member of Stuckism International, and part of the urban art scene in Bristol.

Art
Guy Denning's paintings have been shown in numerous solo and mixed exhibitions. Notable solo shows include 'Purgatorio' at Brooklynite, New York; 'Inferno' at MAGI'900, Bologna and 'Behemoth' at St Martin in the Fields, London. His work is held in several important public collections, including the Politics Department of Bristol University, the Political Science Department at Galway University and the MAGI'900 Museum of Contemporary Art, Bologna.

Denning's early work included an interest in the work of Franz Kline and was characterised by powerful, expressive brushstrokes in mainly abstract paintings. More recently he has combined earlier influences with an increasingly figurative style of painting. The human figure features strongly in his latest work and he uses this subject matter to convey powerful emotions, often with political overtones. The Icarus series of works is an example of this approach. Structurally his work is very dynamic showing a concern for strong draughtsmanship with a spontaneous application of colour. He does not work to set motifs, but makes paintings and drawings from observation and photographic reference.

Guy Denning uses not only powerful brush strokes to express his emotions deeply but also scratches the paint to show the audience the intensity of the emotions he is trying to portray with his artwork. Denning's work involves other techniques such as blacking out eyes and mouths maybe to emphasize Denning's theme of darkness, horror and maybe even despair. He also sometimes uses stencils and collaged text. A question that is often asked about Denning's work is whether it reflects his own emotions and feelings or is the artwork simply presented the way it is to emphasize the condition of the subject.















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