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Painting is silent poetry, and poetry is painting that speaks. Simonides

Li Chen

Li Chen - The Asian Botero

Li Chen was born in 1963 in Taiwan. By incorporating feelings of self-mindfulness and interpretations of Chinese classics from the Buddhist and Taoist traditions, blended with contemporary thought, he relinquished the pursuit of the industrial design arts in the quest for engaging in pure artistic creation, accomplishing a style which has fully liberated itself from the confines of tradition, evincing a remarkably refreshing and natural affect. Li Chen’s profound understanding of the human condition, which ripples throughout the rich depth of his Zen works with their spirit of childlike innocence and unambiguous joy. He believes that life involves loss only in consequence of alienation, as the dust of regret silently accumulates in the corners of the soul, and the work aspires to a spiritual arts therapy, uncovering a wealth of joy amidst the simple life’s pleasures, innovating a spiritual space through the pieces, as humor embellishes a metaphorical engagement with the world, in the hopes of sharing this consciousness with the viewer as they appreciate the spiritual elements informing these creations.

Li Chen’s spiritual sculptures evoke the subtle skill of the textile weaver in supple, almost mylar balloon like textures, eliciting the soft within. He relies on the unique techniques of traditional Chinese ink lacquering together with gold and silver leaf, revealing a light and utterly relaxed sense, animating a miraculous contrast through its “heavy yet light” presence. Chen Li’s signature aesthetic void, exudes an exuberantly humane spirit and intimacy. In our unsteady era of uncertainty, Li Chen’s works achieve a harmonious sense of presence from impresence, with the Buddhist sense of a necessary absence and the Taoist commitment to instilling one’s vital Qi, replete with the visual semiotic richness of the contemporary arts, to successfully bridge the otherwise alienating cultural distance of the orient and occident, while pulling on the heartstrings with his playful sculpted lullabies. 

In 1999, Li Chen had his artwork debut in Taipei. Since 2000, his world tour exhibition started from New York to Chicago, Jerusalem, Copenhagen, Miami, Paris, London, Beijing, Shanghai, Geneva, Singapore, Seoul, etc. In 2007, he became the first Chinese artist to give a solo exhibition in Venice Biennale. In 2008, his work was recognized at a major solo exhibition at the National Art Museum of China in Beijing. In 2009, Singapore Art Museum invited him to have his first solo outdoor sculpture exhibition. In 2011 when ultramarathon runner Kevin Yi-jie Lin reached the destination Xi'an in the expedition of “Running the Silk Road”, he lighted up the candle in the hand of Li Chen’s artwork “The Pursuer”. Li Chen, who has not held any exhibitions in Taiwan for ten years, continues exploring the possibility of making sculpture with the new spirit of the East. In 2011, he gave his exhibition Greatness of Spirit: Li Chen Premiere Sculpture Exhibition in Taiwan at the Road of Democracy and the Main Plaza at CKS Memorial Hall, kicking off the largest-scale sculpture exhibition ever in Asia to present Li Chen’s fruitful 12-year creation from Taiwan’s landmark to show the radiant bloom of the perfect combination of the spirit of the orient and contemporary vision. In 2012, Li Chen launches his first museum exhibition in USA titled LI CHEN: Eternity and Commoner at Frye Art Museum, Seattle.

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