For more extensive artist's bio, articles and list of exhibitions, visit artist(s) website(s). Many of the images displayed on this site are copyrighted, and are used here only for purposes of education or critical review. All rights are reserved by the artists who created the works referenced herein.

Painting is silent poetry, and poetry is painting that speaks. Simonides

Greg Lourens














Greg Lourens



Born in Johannesburg in 1948, Greg went to the Johannesburg School of Art, where his main interests were illustration, sculpture and photography. He then moved to London, where he worked in a design studio for almost two years. It was here that he was introduced to the beauty and meaning of Realism and the love of detail.

He then worked in Boston, Massachusetts as a member of a team developing the potential of multimedia. Whilst in the States, Greg began his training in psychotherapy and he has been practicing in this field for the past 30 years.

This love of people flows freely between his Human Development work and his art, and it has encouraged him to delve deeper and deeper into himself and his subjects to illuminate the dignity of the human spirit. He predominantly draws women because he recognizes that they are the custodians of all that makes us most human.

In 2001, Greg spent a year drawing in rural Ireland. This concentrated time was a wonderful opportunity to hone his passion and develop his craft. His works fall into the school of Realism and are executed in pencil, coloured pencil, charcoal and bronze and some are a mixed media.

Greg is married to Gina, has four children, and presently lives in Stellenbosch.





















DRAWINGS AND SCULPTURES BY GREG LOURENS

If the Aborigines believe that having a photograph taken of themselves will steal their souls, then it would be fair to say that the pencil and charcoal drawings of Greg Lourens will restore and magnify the souls of both his subject and his audience.

Greg Lourens has been quietly working on his own for the past 18 years fine tuning his craft and building up a substantial body of work.

His drawings and sculptures which take up to three months to complete, are modern icons. Not icons in the religious understanding, but rather spiritual, in that they invite the viewer to stop and encounter themselves and humanity at a deeper level.

As a South African, he draws on his experiences of living in Africa amoungst truly amazing people embracing the diversity of different cultures.

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