For more extensive artist's bio, articles and list of exhibitions, visit artist(s) website(s). Many of the images displayed on this site are copyrighted, and are used here only for purposes of education or critical review. All rights are reserved by the artists who created the works referenced herein.

Painting is silent poetry, and poetry is painting that speaks. Simonides

Showing posts with label Dirk Dzimirsky. Show all posts
Showing posts with label Dirk Dzimirsky. Show all posts

Dirk Dzimirsky

Dirk Dzimirsky


Dirk is a self-taught artists who was born and resides in German



Dzimirsky Dirk is an artist born in Rhede, Germany, in 1969. Despite a self-made ​​drawings throughout his life, not until 2005 that it decided to become a professional, working as an illustrator, graphic designer, illustrator and book author. Here is artist statement:














ARTIST STATEMENT


I want to capture and describe a person’s presence and specific inner self. Similar to what a detailed writer might employ in their analysis of an individual, I portray not only the physical attributes, but more importantly the subject’s inner presence of life. It's not too obvious as my work appears most detailed, but I understand my approach as both representational and lyrical, using marks like words and textured areas like paragraphs. All parts of a whole, telling a story about a human being. I choose drawing over painting as this allows me to create many layers over layers of lines and dots which react to each other in order to create a vibrant texture with directions and movement. This approach enables the finished work to be viewed more by the "senses" as opposed to the standard visual observation of a photo. Personally, I view the practice of drawing as reminiscent of scratching on a surface to observe what's hidden underneath, whereas the nature of painting projects more the inverse, covering and hiding details and forms that might have contributed to a sensuality of a work. I use photos as references for my drawings but I am not after a perfect reproduction at all. I use a photo very loosely once the proportions are established. I usually work as if I were drawing from a live model actually. I work with movement and expression, working fast on larger, more unimportant areas, and slowing down on parts that need more attention. I am actually improvising a lot. My main concern is to capture the essence and substance of forms in order to get close to a perceptible presence of the subject.










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