
STATEMENT
I paint portraits in pastel. My portraits evolve slowly, during a series of sittings. I don't like to talk much when I work. I like my model to almost forget I am there. Inevitably, during the course of the sittings as the model drifts deeper into his or her own thoughts, he or she experiences deeply felt emotions. And though I respond to the body's genuine expression of those emotions, I am aware that he or she is engaged in private thoughts to which I am not privy.
I strive to express my response through acute observation. Fidelity to my subject's particular qualities is very important to me. Of course, I see through the filter of my own temperament.
I always work in natural light. The most exquisite expression of light I have seen is in the radiance of flesh. The timeless and fleeting human subject as seen in the eternal and everchanging natural light.
Ellen Eagle
Education:
California College of Arts and Crafts, Oakland, California; BFA With Distinction in Drawing;
The Art Students League of New York
National Academy School of Fine Arts
Daniel Greene Workshop
High School of Music and Art
Primary Teacher Harvey Dinnerstein
Selected Awards and Honors:
2010 Honor Award, Inspiring Figures Exhibition, Butler Institute of American Art
2008 Residency Fellowship Vermont Studio Center
2007 Dodge Foundation Full Residency Fellowship, Vermont Studio Center
2007, 2004 Elizabeth Greenshields Foundation Grant
2004 Panelist: "Figure Painting in the 21st Century"; Snug Harbor Cultural Center, Staten Island, New York
2004 Juror of Selection, Pastel Division, Audobon Artists Annual Exhibition
1999 Phyllis Mason Grant, Art Students League of New York
1998 Dr. Clifford Wheeler Mills Award, Allied Artists Juried Exhibtion
Art Students League Award; Audobon Artists Annual Juried Exhibition
I paint portraits in pastel. My portraits evolve slowly, during a series of sittings. I don't like to talk much when I work. I like my model to almost forget I am there. Inevitably, during the course of the sittings as the model drifts deeper into his or her own thoughts, he or she experiences deeply felt emotions. And though I respond to the body's genuine expression of those emotions, I am aware that he or she is engaged in private thoughts to which I am not privy.
I strive to express my response through acute observation. Fidelity to my subject's particular qualities is very important to me. Of course, I see through the filter of my own temperament.
I always work in natural light. The most exquisite expression of light I have seen is in the radiance of flesh. The timeless and fleeting human subject as seen in the eternal and everchanging natural light.
Ellen Eagle
Education:
California College of Arts and Crafts, Oakland, California; BFA With Distinction in Drawing;
The Art Students League of New York
National Academy School of Fine Arts
Daniel Greene Workshop
High School of Music and Art
Primary Teacher Harvey Dinnerstein
Selected Awards and Honors:
2010 Honor Award, Inspiring Figures Exhibition, Butler Institute of American Art
2008 Residency Fellowship Vermont Studio Center
2007 Dodge Foundation Full Residency Fellowship, Vermont Studio Center
2007, 2004 Elizabeth Greenshields Foundation Grant
2004 Panelist: "Figure Painting in the 21st Century"; Snug Harbor Cultural Center, Staten Island, New York
2004 Juror of Selection, Pastel Division, Audobon Artists Annual Exhibition
1999 Phyllis Mason Grant, Art Students League of New York
1998 Dr. Clifford Wheeler Mills Award, Allied Artists Juried Exhibtion
Art Students League Award; Audobon Artists Annual Juried Exhibition




© Ellen Eagle
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